Huh. I just noticed how close we were to the ides of March.
Like pretty much everyone, I suppose, the covid-19 news is a bit on my mind, and I’m trying to make sure I stay up-to-date on all the usual daily stuff despite distractions. It’s not so much that I’m missing out on things – the things that I’d want to go out to do are all getting cancelled – it’s that I find myself at slightly loose ends for what to do instead.
I did manage to get my Hugo nominations in before the deadline, though, and am looking forward to seeing the final ballot.
Related to that, the only work I published last year got a mention in Locus! Rich Horton said that it was his favourite story published in Lady Churchill’s Rosebud Wristlet that year in his short-fiction-in-print review. I am really pleased by that.
My story “Mechanical Connection” is out now in the inaugural issue of Cossmass Infinities, which is available from a plethora of sources here. (Seriously, I count four even if you lump all the Amazons together.) I got my copy this morning, and it’s a pretty fantastic issue; I hope you enjoy my contribution, the story of a superhero who is more comfortable with machines than people.
My story “The Smell of Antiseptic” is available now in issue 25 of Pulp Literature; the print and ebook copies can be purchased here, although the ebooks don’t unlock until January 1. It’s my story about ghosts and animal experimentation, inspired by some documents I ran across a reference to several jobs back.
(The prices are in Canadian, by the way, in case it makes a difference.)
Should you pick it up, I hope you like it.
I am pleased to say that my story “The Smell of Antiseptic” will be appearing in issue 25 of Pulp Literature.
Physical copies are available next Sunday in Vancouver if you’re at the launch party, although my understanding is that the official release is in 2020.
Cossmass Infinities is a new SF&F magazine that’s launching on January 1, 2020, and I am really pleased to be able to say that they’ve accepted one of my stories. “Mechanical Connection” will be appearing in their inaugural issue; you can check out their site here.
My story “Ink, and Breath, and Spring” is available now in issue 40 of Lady Churchill’s Rosebud Wristlet. It’s available in print or ebook format, and you can read my tale of a dead body found in a rather odd library alongside a beautiful collection of other works.
I am honestly very pleased that this story has found a home (and what a home). I hope you like it.
My story “Late Night at the Low Road Diner” is available now in issue 5 of Liminal Stories. It can be read online for free here (although if you’d like to support them, they’re on Patreon).
A small story on the care and feeding of strange things that may come into a diner at night.
I am really pleased with this one. My thanks to Shannon Peavey and Kelly Sandoval for the acceptance and the editing (much as I love “tatterdemalion”, I have to admit it just didn’t fit), and to N.G. Lancaster for the art.
I hope you like it.
I am glad (very glad!) to say that I’ve sold a story to Liminal Stories, and “Late Night at the Low Road Diner” will be appearing in their August issue.
Liminal Stories publishes absolutely lovely work, by the way, all of which is online, and I highly recommend going to check it out.
My short story “Playing Prometheus” has been published at Persistent Visions! It can be read online here. And the art for it is absolutely gorgeous; I am deeply grateful to Dana Martin.
(Please note: there is a content warning at the top of the story.)
I’ve noticed that a lot of time travel stories suggest that good results only come of preserving the past, or of making changes by accident. “Playing Prometheus” is my attempt to engage with that.
I hope you enjoy it; I’ve done my best.
May was… long. I will speak no more of it than I already have.
The latest On Spec Magazine has been published, and contains my short story “Gannet Girl”; you can also get an electronic version of the issue here.
Gannets do not love humans, but they can see eye to eye with them. It’s a matter of some import.
(And in other news, the No Shit, There I Was… anthology funded, and I signed the contract and received payment; backers will get their copies, and then the book’ll be available to the general public.)