“After Midnight, in a Dead Woman’s Shoes” is out in the Summer 2022 issue of Kaleidotrope; you can find it here. It is the story of a murdered woman trying to find out who killed her.
I wrote and submitted some back when I was a teenager (I have a signed rejection letter from Ann Kennedy for something I sent to The Silver Web), but I took a break for quite a while. When I started up again, this story was the first one I finished and started sending out.
I am so very, very pleased to be able to share it with you. I hope you like it.
My story “Small-Town Spirit” is available now from Fireside Magazine! There is an amazing cover illustration from Steffi Walthall, and I am just smit. It’s a short little story, about… well, about a nice little town. Honest. (I’m terrible at summaries.)
I am very pleased with this one, and would like to thank Chelle Parker for the editing; it really helped me fine-tune a couple of points in the text and I love the end result. I hope you like it.
A lot going on, but I was genuinely shocked to realize I hadn’t mentioned this earlier, and I want to share: my story “Small-Town Spirit” was accepted by Fireside Magazine! It will be appearing in issue 97; you can wait until it’s released online, or subscribe by Hallowe’en to get the ebook.
(I really cannot say enough good things about the latter option! There will be stories in this issue from John Wiswell and Ursula Vernon and Sydnee Thompson, and a poem from Virginia Mohlere. Seriously.)
My short story “The Gannet Girl” is out at Podcastle, read by Kaitlyn Zivanovich, and can be heard (or read) here. I absolutely love this reading.
(This work initially appeared in issue 102 of On Spec Magazine.)
I hope you enjoy this story of gannets, and loneliness, and the place where the sea meets the sky.
It’s summer weather again, but the calendar tells me we’re in November, so it’s time for this post again. This year, I published the following works for the first time, all short stories.
“The Smell of Antiseptic”, published in issue 25 of Pulp Literature. Winter 2020. 4185 words. A doctor who is dealing with ghosts, and animal experimentation, and not being able to run away from her own past. (An excerpt may be found online here.)
Reviewed in Amazing Stories’ CLUBHOUSE by R. Graeme Cameron.
“Mechanical Connection”, published in issue 1 of Cossmass Infinities. January 2020. 4342 words. A superhero who is more comfortable with machines than with people, navigating friendship and family.
Reviewed in Strange Horizon’s quarterly Short Fiction Treasures by Maria Haskins, and also in Submit Your Stories Sunday by Jennifer Shelby.
“The Draw of Empty Spaces”, published in issue 3 of Cossmass Infinities. September 2020. 5111 words. A story of emptiness, salvage, and scars, taking place in a strangely ruined city.
My story “The Draw of Empty Spaces” is out now in issue 3 of Cossmass Infinities, which you can get here (although if you subscribe it should already be in your inbox, which is very nice). It is a story of someone doing salvage work in a ruined city, alone and then not alone.
This is my second time appearing in the magazine and I am honestly very pleased to be there again, and to be in the company of those other stories. I hope you enjoy them all.
My technically-a-novella “Ink, and Breath, and Spring” is now available as episode 637 of PodCastle, so now you have the option of reading or listening to my tale of a dead body found in a rather odd library!
(This work initially appeared in issue 40 of Lady Churchill’s Rosebud Wristlet.)
As always, I very much hope you like it.
Cossmass Infinities has accepted another one of my stories! “The Draw of Empty Spaces” will be appearing in issue #3, coming out in September; in the meantime, you can check out their site here.
In addition, I am very pleased to say that PodCastle has accepted “Ink, and Breath, and Spring” as a reprint; that is the novelette which got a couple of favourable mentions in Locus when it initially appeared in issue 40 of Lady Churchill’s Rosebud Wristlet, which I am extremely proud of.
(I’ve never had one of my pieces done as an audio version before, and am very curious to see how it goes! Writing the pronounciation guide was interesting; not difficult, exactly, since I knew what things were supposed to sound like, but an aspect that I hadn’t considered would be necessary.)
Huh. I just noticed how close we were to the ides of March.
Like pretty much everyone, I suppose, the covid-19 news is a bit on my mind, and I’m trying to make sure I stay up-to-date on all the usual daily stuff despite distractions. It’s not so much that I’m missing out on things – the things that I’d want to go out to do are all getting cancelled – it’s that I find myself at slightly loose ends for what to do instead.
I did manage to get my Hugo nominations in before the deadline, though, and am looking forward to seeing the final ballot.
Related to that, the only work I published last year got a mention in Locus! Rich Horton said that it was his favourite story published in Lady Churchill’s Rosebud Wristlet that year in his short-fiction-in-print review. I am really pleased by that.
My story “Mechanical Connection” is out now in the inaugural issue of Cossmass Infinities, which is available from a plethora of sources here. (Seriously, I count four even if you lump all the Amazons together.) I got my copy this morning, and it’s a pretty fantastic issue; I hope you enjoy my contribution, the story of a superhero who is more comfortable with machines than people.