Can’t believe January’s nearly over; can’t believe that January of 2023 is nearly over.
(I was comparing this date to various fictional settings. We are twenty-five and a half years past the first (mentioned) Judgement Day, Rache Bartmoss died last year… the Fallout timeline is still ticking along, I suppose.)
I’m trying to write more this year than last. I think going back to the office some days is actually helping; when the same physical space is one where you both handle work and try to put together fiction, it is a bit hard to switch gears sometimes.
I feel like everyone I know is tired; I am very lucky that many of the people I know who are tired are also very kind.
“After Midnight, in a Dead Woman’s Shoes” is out in the Summer 2022 issue of Kaleidotrope; you can find it here. It is the story of a murdered woman trying to find out who killed her.
I wrote and submitted some back when I was a teenager (I have a signed rejection letter from Ann Kennedy for something I sent to The Silver Web), but I took a break for quite a while. When I started up again, this story was the first one I finished and started sending out.
I am so very, very pleased to be able to share it with you. I hope you like it.
I am extremely pleased to say that I will have a reprint in the forthcoming Noir Fire anthology from Futurefire.net Publishing! It’s coming out shortly, and I have to say, the book already looks absolutely gorgeous. You can see the cover reveal here; more details soon.
It’s very nearly 2022. I was surprised to realize I hadn’t done this yet; I know that I saw discussion of eligibility posts, and remember signal-boosting a few, but somehow I didn’t quite make the connection. In any case: this year, I published the following works for the first time, both short stories.
“Mudpaws and the Tall Thing”, published in Alternative Deathiness (on Amazon in print and Kindle). November 2021. 1181 words.
“Small-Town Spirit”, published in issue 97 of Fireside Magazine. November 2021. 1976 words.
Reviewed in November’s Quick Sip Reviews by Charles Payseur, and also in Maria Haskin’s SFFH Short Fiction Roundup for November 2021.
I was also very pleased to have two reprints come out this year. “Ink, and Breath, and Spring” was selected for The Year’s Best Science Fiction and Fantasy, 2020 (available at Kobo, IndieBound, and Amazon). Additionally, “The Gannet Girl” was published in episode 690 of PodCastle with an amazing narrator.
Finally, both “Mechanical Connection” and “The Draw of Empty Spaces” appeared in the Cossmass Infinities – The First Year collection.
(And for the annual recap: this year had 3 acceptances (plus 2 for stories submitted last year), 20 submissions, and 13 rejections (plus 8 for stories submitted last year). 4 stories are currently out, plus 1 submitted last year. This is significantly down from previous years, and I have accepted that, because good lord there’s a lot going on.)
My story “Small-Town Spirit” is available now from Fireside Magazine! There is an amazing cover illustration from Steffi Walthall, and I am just smit. It’s a short little story, about… well, about a nice little town. Honest. (I’m terrible at summaries.)
I am very pleased with this one, and would like to thank Chelle Parker for the editing; it really helped me fine-tune a couple of points in the text and I love the end result. I hope you like it.
A lot going on, but I was genuinely shocked to realize I hadn’t mentioned this earlier, and I want to share: my story “Small-Town Spirit” was accepted by Fireside Magazine! It will be appearing in issue 97; you can wait until it’s released online, or subscribe by Hallowe’en to get the ebook.
(I really cannot say enough good things about the latter option! There will be stories in this issue from John Wiswell and Ursula Vernon and Sydnee Thompson, and a poem from Virginia Mohlere. Seriously.)
My short story “The Gannet Girl” is out at Podcastle, read by Kaitlyn Zivanovich, and can be heard (or read) here. I absolutely love this reading.
(This work initially appeared in issue 102 of On Spec Magazine.)
I hope you enjoy this story of gannets, and loneliness, and the place where the sea meets the sky.
(It’s a little early to be that cheerful about spring, isn’t it? In fact, we’ve got the first serious snowstorm of the year rolling in right now. Nonetheless.)
The Year’s Best Science Fiction and Fantasy, 2020 is out, and contains my novelette “Ink, and Breath, and Spring”. Currently, it’s only available electronically; you can get it from Kobo or Amazon. The physical copy is expected in a few months, due to some slowdowns with the… everything. I will mention it here when it’s out. 🙂
I am really proud of this story, which initially appeared in issue 40 of Lady Churchill’s Rosebud Wristlet, and genuinely delighted that it has made it into a Year’s Best collection.
I had two acceptances this year; one for a reprint of “Ink, and Breath, and Spring” in PodCastle, and one for “The Draw of Empty Spaces” in Cossmass Infinities. I was also asked if I’d like to have “Ink, and Breath, and Spring” in the next The Year’s Best Science Fiction and Fantasy, and I was really pleased with that.
I submitted stories 51 times in 2020, and got 43 rejections (35 were from 2020 submissions, and 8 were from submissions made in 2019). I also withdrew 4 stories (3 from markets I submitted to in 2020, and one I submitted to in 2019).
As of the end of the year, I have 11 stories out, which I am actually really pleased by, especially given The Year That Was.
Alright. On to 2021.
It’s summer weather again, but the calendar tells me we’re in November, so it’s time for this post again. This year, I published the following works for the first time, all short stories.
“The Smell of Antiseptic”, published in issue 25 of Pulp Literature. Winter 2020. 4185 words. A doctor who is dealing with ghosts, and animal experimentation, and not being able to run away from her own past. (An excerpt may be found online here.)
Reviewed in Amazing Stories’ CLUBHOUSE by R. Graeme Cameron.
“Mechanical Connection”, published in issue 1 of Cossmass Infinities. January 2020. 4342 words. A superhero who is more comfortable with machines than with people, navigating friendship and family.
Reviewed in Strange Horizon’s quarterly Short Fiction Treasures by Maria Haskins, and also in Submit Your Stories Sunday by Jennifer Shelby.
“The Draw of Empty Spaces”, published in issue 3 of Cossmass Infinities. September 2020. 5111 words. A story of emptiness, salvage, and scars, taking place in a strangely ruined city.