I had two acceptances this year; one for a reprint of “Ink, and Breath, and Spring” in PodCastle, and one for “The Draw of Empty Spaces” in Cossmass Infinities. I was also asked if I’d like to have “Ink, and Breath, and Spring” in the next The Year’s Best Science Fiction and Fantasy, and I was really pleased with that.
I submitted stories 51 times in 2020, and got 43 rejections (35 were from 2020 submissions, and 8 were from submissions made in 2019). I also withdrew 4 stories (3 from markets I submitted to in 2020, and one I submitted to in 2019).
As of the end of the year, I have 11 stories out, which I am actually really pleased by, especially given The Year That Was.
Alright. On to 2021.
It’s summer weather again, but the calendar tells me we’re in November, so it’s time for this post again. This year, I published the following works for the first time, all short stories.
“The Smell of Antiseptic”, published in issue 25 of Pulp Literature. Winter 2020. 4185 words. A doctor who is dealing with ghosts, and animal experimentation, and not being able to run away from her own past. (An excerpt may be found online here.)
Reviewed in Amazing Stories’ CLUBHOUSE by R. Graeme Cameron.
“Mechanical Connection”, published in issue 1 of Cossmass Infinities. January 2020. 4342 words. A superhero who is more comfortable with machines than with people, navigating friendship and family.
Reviewed in Strange Horizon’s quarterly Short Fiction Treasures by Maria Haskins, and also in Submit Your Stories Sunday by Jennifer Shelby.
“The Draw of Empty Spaces”, published in issue 3 of Cossmass Infinities. September 2020. 5111 words. A story of emptiness, salvage, and scars, taking place in a strangely ruined city.
My story “The Draw of Empty Spaces” is out now in issue 3 of Cossmass Infinities, which you can get here (although if you subscribe it should already be in your inbox, which is very nice). It is a story of someone doing salvage work in a ruined city, alone and then not alone.
This is my second time appearing in the magazine and I am honestly very pleased to be there again, and to be in the company of those other stories. I hope you enjoy them all.
This is slightly belated, because I got the news and then came down with something icky, but:
“Ink, and Breath, and Spring” (initially published in issue 40 of Lady Churchill’s Rosebud Wristlet and reprinted in episode 637 of PodCastle) will be appearing in The Year’s Best Science Fiction and Fantasy, 2020. I’m in the TOC and everything.
I am over the moon.
I have to say I am very glad that today is the start of a long weekend.
I got some edits in last week, I decluttered a bit yesterday, and today I appear to actually be getting my browser windows under some kind of control. I’ve nearly reknitted the part of the sweater I had to frog. And also I’ve gotten the first submission of the month out!
My technically-a-novella “Ink, and Breath, and Spring” is now available as episode 637 of PodCastle, so now you have the option of reading or listening to my tale of a dead body found in a rather odd library!
(This work initially appeared in issue 40 of Lady Churchill’s Rosebud Wristlet.)
As always, I very much hope you like it.
Cossmass Infinities has accepted another one of my stories! “The Draw of Empty Spaces” will be appearing in issue #3, coming out in September; in the meantime, you can check out their site here.
In addition, I am very pleased to say that PodCastle has accepted “Ink, and Breath, and Spring” as a reprint; that is the novelette which got a couple of favourable mentions in Locus when it initially appeared in issue 40 of Lady Churchill’s Rosebud Wristlet, which I am extremely proud of.
(I’ve never had one of my pieces done as an audio version before, and am very curious to see how it goes! Writing the pronounciation guide was interesting; not difficult, exactly, since I knew what things were supposed to sound like, but an aspect that I hadn’t considered would be necessary.)
“Ink, and Breath, and Spring”, which was originally published in issue 40 of Lady Churchill’s Rosebud Wristlet, will be appearing in Podcastle!
This is the first time I’ve had one of my works done in audio format (I am morally sure that reading it aloud to myself as part of the editing process does not count), and I’m really looking forward to it. Writing the pronunciation guide was interesting; it’s not something I’d ever really thought about doing before, but of course it makes sense.
So that was a nice piece of news, today, and I’m pleased to share.
Huh. I just noticed how close we were to the ides of March.
Like pretty much everyone, I suppose, the covid-19 news is a bit on my mind, and I’m trying to make sure I stay up-to-date on all the usual daily stuff despite distractions. It’s not so much that I’m missing out on things – the things that I’d want to go out to do are all getting cancelled – it’s that I find myself at slightly loose ends for what to do instead.
I did manage to get my Hugo nominations in before the deadline, though, and am looking forward to seeing the final ballot.
Related to that, the only work I published last year got a mention in Locus! Rich Horton said that it was his favourite story published in Lady Churchill’s Rosebud Wristlet that year in his short-fiction-in-print review. I am really pleased by that.
My story “Mechanical Connection” is out now in the inaugural issue of Cossmass Infinities, which is available from a plethora of sources here. (Seriously, I count four even if you lump all the Amazons together.) I got my copy this morning, and it’s a pretty fantastic issue; I hope you enjoy my contribution, the story of a superhero who is more comfortable with machines than people.