CWW 2018 week 1 update

1238 words this week! Not a complete draft, sadly – there’s the short piece I was working on earlier, and the rest of the words went on a different piece that’s been around for a while. But I have a couple of draft zeros now; those things that are still at the level of having [[TRANSITION SCENE GOES HERE]] and [[CHECK SETTING FOR DESCRIPTION]] peppered in a few times, but are otherwise pretty solid.

I’m going to try and spend most of tomorrow working on revisions so that I can have one of the three stories I’m meaning to revise done for next week.

CWW 2018 (partial) week 1 update

686 words so far! I’m writing a very short piece, and I will actually need to edit it down to 500 words, but that’s going to happen after I get a few more details on the setting; I’ll write it all up and then edit it all down.

I’ve also started loosely editing a small piece; I’m not sure that it’s something I can properly work through in a fortnight, though, so it might not be one of my three stories edited. Will see.

A heads-up going forward; I’ve found that a lot of the time when I’m working on a first draft, I handwrite it. (This ties in to my interest in fountain pens and small notebooks.) I’m fairly used to doing this, so I know how many words on average are on a page of my notebooks, and I’ll be calculating based off that average when I don’t have time to transcribe my weekly work into a word processor before Saturday.

(Again, if you’d like to sponsor: my profile is here, and the webpage is pretty easy to navigate if you’d like to sponsor someone else.)

Summer optimism

Clarion West is a non-profit literary organization in Seattle; it runs both a six-week workshop for writers in the summer, and one-day workshops for writers throughout the year.

They also do a yearly fundraiser to help keep the workshop going and support scholarships, which is the six-week Clarion West Write-a-thon. It starts tomorrow, and I’ve signed up for it again this year; I’m aiming to write a thousand words a week for six weeks, and revise three short stories.

I’d love to help raise even a little to help keep the workshop going. If you’d like to sponsor me, here’s my page for the Write-a-thon; if you’d like to look at the other authors who are working on it, there’s a full list (137 as of this writing!) available here.

Taking stock

I may need to add another line to my side-tracker; I’ve got two pieces where someone’s indicated that they’re interested in publishing them, but it feels premature to mark them as acceptances since I haven’t gotten a contract yet. At the same time, they’re not really out in the “out and seeking responses” way that pieces that haven’t gotten a response are (and let’s be honest, that is the state a story spends most time in when it is out in the world).

I’ll probably leave it as is for now. Just a note for something to keep in mind going forward, I guess.

Another boatload of library holds for the Hugos came in, so I suspect that’s going to be a lot of my free time month, and I’m going to start entering my votes on the ballet. I’m hoping to organize my free time better this month, and actually get to a slightly weird writing project as well as the more typical ones I’m planning.

Take me home.

I’ve just finished a first draft of the novelette (I ultimately didn’t go with the restructuring I was hopping to do, because of time contraints) and given it to my weekly writing group for crit, and this morning I was casting about to find something to distract me from “oh dear god did I actually leave all those things in there they are so goofy.”

Bethesda stepped up.

I was gleeful to start with, and then someone pointed out that at 0:29, you can see a date on the PIP-Boy, and that the year is 2102. In-universe, this puts it 25 years after the Great War and 159 years before the first Fallout.

It’s not that I don’t love the Fallout setting, and the way the institutions have grown up over time (and yes, still ridiculously pleased that the Khans survived New Vegas; they’ve been around longer than the NCR!), but I love the Fallout world, too, and am very curious to see what it was like a mere generation after the bombs fell.

I am so very much looking forward to this.

Writing is easy. Rewriting…

Rewriting is being a bit more difficult.

In addition to the trouble I’ve been having with editing the novel, my rewrites of the novelette that my handwritten draft turned into have been really hard to get into. It’s been a little better this long weekend, but it’s still taking longer than I thought. I’m not entirely sure that the way I’ve rearranged the story is a good one, but I know I’ll be able to better figure that out once it’s actually complete.

On the plus side, I actually did finish the edits for a short story and send them back, so I’m pleased about that. I did spend what might be a ridiculously long time trying to find a substitute for one particular word, and I’m still not sure I made the right decision, but at least the edits are done.

In a perfect, world, with unlimited time (and possibly without the need for sleep) I would spend another few hours on it at least, but unfortunately I only have so much time, and I need to figure out where I get the best returns on spending it.

Pen and ink.

Over the last week or so, I’ve been handwriting a story draft. I began because it was convenient to handwrite it at the time – I am very fond of my pens and notebooks, so one of each is generally to hand, and I wasn’t in the same room as a computer – and I continued because… well, I still had the pen and notebook handy, and I was curious.

First, it’s much easier to not get distracted while handwriting. I usually still have my phone with me, but when there isn’t an open browser window or a notification sitting in the corner of my eye, it does get easier to concentrate.

Second, it’s much slower – I can type easily twice as fast as I write, probably more. On the plus side, this means that I’m much less likely to feel like I’m adrift as I sit and stare at a blank page, because I am still writing out the words that I’ve composed in my head after I’ve composed them. On the downside, once I warm up, I cannot quite keep up with writing down everything I am coming up with, and that’s frustrating. I’m seriously considering looking into learning shorthand.

Also, I suspect this is a possible side-effect of it being slower: I’m coming up with more ideas of how to expand the story as I’m writing it, possibly just because I am spending more time thinking about any one particular moment in the story, and that gives me space to muse on what it could branch out into being.

It’s interesting. There’s a climactic scene and the dénouement left, and then I’ll have my first fully handwritten draft in years complete.

(Tangentially: this is also an incredibly effective way to use up fountain pen ink, even if you aren’t prone to fiddling with your pen and accidentally blotting yourself as I am. I’m not sure my 2ml sample of Astorquiza Rot will last until the end of the story.)

Learning curve

I’ve started editing a novel-length manuscript this month, and no lie, it’s a little overwhelming. A lot of my usual editing involves summaries and outlines and lists that fit on (at most) a double-page notebook spread, and I’m struggling a little to adapt that process–which is ultimately the kind of thing you can take in in a single glance–to this. Still, I feel like I’m making progress.

(I’m not actually sure the end result will be anything more than a trunk novel, but I’m hoping that even if that’s the case, I learn something about how to actually get it a work of this length done. Even if I decide novels aren’t for me, it’ll probably be useful to know.)